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LA
ALTAGRACIA.
Altagracia is the name for the province, capital Salvaleon de Higuey.
History:
Higuey's name comes from the time when the island was divided into "cacigazgos"
(the regional divisions made by the Taino natives), of which "Guey" or
"Huiou", was one of them." These words mean sun in the Taino language
as well as in South American tribes, where it means sun, light and day".
It is said that the natives named the region this way since it is the
first to receive the rays of the sun, due to its geographic location.
In 1503 Juan de Esquivel conquered this cacicazgo and founded a fort that
in 1506, through an order made by Ovando, became a Villa named Salvaleón
de Higüey. This villa was granted a Coat of Arms in 1508 by a royal privilege.
During colonial times it remained a parish in the Seibo region. Then
in 1801 it became a District of the Ozama Department due to the territorial
divisions made by Toussaint Louverture during his reign of the Spanish
part of the island. After the period of the Reconquest, it again became
a parish in the Seibo region until 1821 when due to Boyer's invasion it
became part of the Ozama Department. When the Republic was proclaimed,
the Joint Central Government designated it as a community of the Seibo
Department, one year later it became a community of the Seibo province.
It maintained this position until 1861 when it became property of the
political and military government in the Seibo region; when the Republic
was restored it again regained its condition of community in the Seibo
province in 1865. It is currently head community in the province of La
Altagracia. Forming part of our history is the arrival of a painting depicting
"Nuestra Sra. de La Altagracia", which was brought to Higuey during the
early period of the discovery of America by two Spanish Christians born
in Placencia, Extremadura, Alonso and Antonio de Trejo. This occurred
approximately 22 years after the discovery and thus Alonso and Antonio
were the first settlers of the villa. Once there, they founded a sugar
cane mill near the Sanate River. 
Virgin of La Altagracia.
The Trejo brothers placed the painting in the neighboring church of Higuey,
where they had some haciendas, in order to venerate it since they had
experienced some "miracles". Thus, the birth of the municipality is closely
tied to a religious tradition. The act of worshipping the Virgin of "La
Altagracia" (literally, "the High Grace") has been maintained since its
arrival to that small wooded-roofed hermitage where the servants were
in charge of its care. According to tradition, the Virgin of La Altagracia
appeared in an orange tree where the first church of the San Dionisio
Parish had been built and where the Gospel had first been preached in
the eastern territory.
In the place of the "appearance" (which has been given new value because
of a mosaic made by San Pedro de Macorís native Said Musa) an orange tree
has been planted there for as long as can be remembered. When one dries
out, another is planted. A sanctuary was built in 1505 by Juan de Esquivel,
conquistador of Jamaica.
This was the first sanctuary in America and its construction began in
the 16th century by Alonso de Peña and Simon Bolivar (fifth grandfather
of the South American liberator). The San Dionisio Church belfry rang
for the first time with its clock on October 9, 1896. Its erection was
made possible by Rafael M. Vallejo, its minister at the time.
This sanctuary that would hold innumerable devotees and pilgrims was
substituted by the Basilica Nuestra Señora de la Altagracia, which was
linked with a grand avenue to the old sanctuary. The Basilica's first
stone was blessed and placed on October 5, 1954, its construction concluded
in 1971.
The festivities in honor of the Virgin de LA Altagracia are held on January
21 each year. It was on that day in 1960 that the battle of Sabana Real
(also known as the battle of Limonada) took place in Higuey against the
French and during which the protection of the Holy Virgin of la Altagracia
was invoked.
La Vasilica de la Virgen de la Atagracia.
The Basilica was inaugurated in 1971 and consecrated as a Cathedral on
August 15, 1972 by Archbishop Antonio Beras Rojas. The "Coronación Canóniga
de la Imagen de la Virgen de la Altagracia" (Canonic Coronation of the
Image of the Virgin de la Altagracia), took place on August 15, 1922 in
the Puerta del Conde, in Santo Domingo
Economy.
This easternmost province is one of the fastest-growing tourist regions
on the island now that the new airport has opened up in Punta Cana.
Beaches:
Like Bayahibe and Dominicus to the south and Punta Cana, Bávaro, Cabeza
de Toro, Cortecito, Arena Gorda, Macao, and Uvero Alto to the east, all
of which have resorts that are so big they are like small cities, are
now world renowned for their Caribbean sun, luxury ambiance, crystal-clear
turquoise waters, deep-sea fishing and diving; a team from Indiana University
is working out of Club Dominicus to develop an underwater park for divers.
Manití Park is a “must see” for tourists, as is the fabulous Basilica
Nuestra Señora de Altagracia, the modern temple in the city of Higuey
that was built to honor the country’s patron saint, the Virgin of High
Grace.
Visit.
You might also want to visit the stone house that was built by Ponce de
León in the early 1500s, before he left for Puerto Rico and Florida, or
the ruins of some of the island’s earliest sugar-cane plantations, like
Sanaté, from the early 16th century.
The province also boasts a private ecological/scientific reserve in
Punta Cana, the Bávaro Lagoon with rare endemic fish, and the vast National
Park of the East, that includes Isla Saona. The protected area encompassed
by the park was once one of the most heavily populated indigenous regions.
The Taínos and their ancestors have left many vestiges of their culture
here, including caves with incredible drawings and sculptures, such as
Cueva José María, which is difficult to get to and difficult to access,
but has what is perhaps the largest quantity of cave drawings in the entire
Caribbean and, perhaps, the most important because some archaeologists
say these wall murals demonstrate that the Taínos were on the verge of
writing.
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